专辑介绍:挖掘民族音乐宝矿,记录这广袤土地上的音乐传奇,民族音乐厂牌印音乐倾力推出国乐大师系列,传承中华文明,邀请众多国乐泰斗级宗师,挟名琴绝技,经典演绎倾城倾国旷世之音。系列囊括古琴、二胡、高胡、箫、笛、琵琶、古筝、唢呐、埙等乐器,每一篇目都将精挑细选,只为听众带来一场国乐盛宴。空阶滴水,暗染菊香,琴坐弦翻,流韵铮铮……名琴、名家、名曲,尽显我华夏民族之传世古韵!广东音乐,国家非物质文化遗产,是我国历史文化成就的重要标志。广东音乐是流行于以广州为中心的珠江三角洲及广府方言区的传统丝竹乐种,与粤剧、岭南画派并列为岭南三大艺术瑰宝。它以轻、柔、华、细、浓的特点和清新流畅、悠扬动听的岭南风格备受民众的喜爱,影响遍及大江南北。广东音乐有四百余年历史,代表性曲目十分丰富,《雨打芭蕉》、《旱天雷》、《步步高》、《平湖秋月》等都是耳熟能详的作品。当今优秀的高胡演奏家余其伟,更深谙高胡之道,为继吕文成、刘天一之后的广东高胡第三代传人,深具天才技巧和深刻艺术思想。少习胡琴、师出刘天一,余其伟的琴艺深得中国古典音乐的风骨神韵,又富广东音乐的华丽抒情、活泼轻灵,富于诗意的幻想与哲理的深沉,境界优美而高远,开拓了中国高胡艺术的新格局。余其伟高胡领奏的广东音乐,一丝一弦,一情一境,骨子里是岭南人深深眷恋的味道,与钟灵毓秀的岭南山水、至情至性的岭南人,已是水乳交融——《雨打芭蕉》、《陌头柳色》、《秋水龙吟》、《连环扣》……声声切切,犹见岭南风骨!曲目介绍:01.雨打芭蕉《雨打芭蕉》是中国汉族民间器乐曲。乐谱最早载于1921年丘鹤俦所编《弦歌必读》,后由潘永璋改编,成为广东音乐代表性曲目。02.西江月西江月,唐教坊曲名,后用为词牌名,又名“白蘋香”“步虚词”“江月令”等。其调名有可能取自李白《苏台览古》的诗句“只今惟有西江月,曾照吴王宫里人。03.陌头柳色《陌头柳色》,广东音乐名曲,由何少霞作曲,乐器可以使用二胡、扬琴、洞箫、案琴、椰胡等,整体描述岸上柳枝随风起舞,春意盎然,风光明媚人心祥和。04.寒江月《寒江月》由吕文成作曲,蒋绍勤记谱并订弓、指法。全曲舒缓流畅,抒怀中略带淡淡的幽思。05.双声恨《双声恨》 是一首广东音乐传统乐曲,取材于“牛郎织女”的故事传说。这首曲是广东音乐的代表作。06.沉醉东风沉醉东风,曲牌名,产生于金末、南宋时期。南北曲兼有。整体舒缓、浪漫,旋律起伏悠扬,描写东风送来吉祥物。07.柳娘三醉柳娘三醉来源于古曲,由新闻工作者宋郁文改编,蒋绍勤记谱并订弓、指法。全曲旋律采用舒抑的手法,形象地描绘柳青娘喜形于色的醉态。08.春风得意《春风得意》,广东音乐名曲,由粤乐界大师级人物梁以忠作曲,这首曲描绘的是人逢喜事精神爽,财源滚滚,得意洋洋的一种状态。09.柳摇金江南丝竹文曲《柳摇金》,描写风荡杨柳,满地铺金的自然景象。10.悲秋《悲秋》原为一首古琴曲,乐曲低调哀怨,时而激动,时而压抑,交织缠绵。11.秋水龙吟《秋水龙吟》来源于粤曲,高胡的鸣叫如同雨点滴洒江面,雨过天晴,水天一色。12.连环扣广东十大名曲《连环扣》,旋律玲珑剔透,连绵起伏,前后有致,悠然自得。苍井空午夜高潮50分钟
Greg Murphy, an inventive and versatile pianist with an epic sense of the pure and beautiful, is a formidable talent. Throughout his musical career, he has accumulated a vast number of stories, and those stories are woven into the fabric of his material. "Bright Idea", his trio recording with Jeff “Tain” Watts and Eric Wheeler, comes together in a way that embraces all of the places Murphy has been, from his grinding, intensive study in New York, his time in New Orleans with Ellis Marsalis, his pop-funk days in Chicago, and his Latin jazz work with Raphael Cruz. It is a well and fully rounded musical adventure, rife with dimension and color, and his most fully realized recording yet. At this point in his career, we would expect no less. Recorded, produced and arranged by Murphy, Bright Idea features mainly originals, with a few exceptions, including a torrid rendition of the Pharrell Williams tune “Happy.” With Watts and Wheeler alongside, Murphy achieves an energetic vitality on the session, especially on tracks like the newly discovered Coltrane composition, “Untitled Original 11383,” a twelve-bar blues, and Joe Ford’s “Earthlings.” But throughout the album there is generosity, reciprocity and the desire to make memorable and triumphant music. Bright Idea, Greg Murphy’s second Whaling City Sound project and fifth overall, is his strongest statement as a leader and his most beautifully played collection of stories. Now swinging with the best, Murphy has come out the other side of life’s challenges and is now destined, even determined, to find his place in the pantheon of jazz piano.
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